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  LETTER 314

  CHARLES LAMB TO BERNARD BARTON

  [P.M. 5 April 1823.]

  Dear Sir—You must think me ill mannered not to have replied to your first letter sooner, but I have an ugly habit of aversion from letter writing, which makes me an unworthy correspondent. I have had no spring, or cordial call to the occupation of late. I have been not well lately, which must be my lame excuse. Your poem, which I consider very affecting, found me engaged about a humorous Paper for the London, which I had called a "Letter to an Old Gentleman whose Education had been neglected"—and when it was done Taylor and Hessey would not print it, and it discouraged me from doing any thing else, so I took up Scott, where I had scribbled some petulant remarks, and for a make shift father'd them on Ritson. It is obvious I could not make your Poem a part of them, and as I did not know whether I should ever be able to do to my mind what you suggested, I thought it not fair to keep back the verses for the chance. Mr. Mitford's sonnet I like very well; but as I also have my reasons against interfering at all with the Editorial arrangement of the London, I transmitted it (not in my own hand-writing) to them, who I doubt not will be glad to insert it. What eventual benefit it can be to you (otherwise than that a kind man's wish is a benefit) I cannot conjecture. Your Society are eminently men of Business, and will probably regard you as an idle fellow, possibly disown you, that is to say, if you had put your own name to a sonnet of that sort, but they cannot excommunicate Mr. Mitford, therefore I thoroughly approve of printing the said verses. When I see any Quaker names to the Concert of Antient Music, or as Directors of the British Institution, or bequeathing medals to Oxford for the best classical themes, etc.—then I shall begin to hope they will emancipate you. But what as a Society can they do for you? you would not accept a Commission in the Army, nor they be likely to procure it; Posts in Church or State have they none in their giving; and then if they disown you—think—you must live "a man forbid."

  I wishd for you yesterday. I dined in Parnassus, with Wordsworth, Coleridge, Rogers, and Tom Moore—half the Poetry of England constellated and clustered in Gloster Place! It was a delightful Even! Coleridge was in his finest vein of talk, had all the talk, and let 'em talk as evilly as they do of the envy of Poets, I am sure not one there but was content to be nothing but a listener. The Muses were dumb, while Apollo lectured on his and their fine Art. It is a lie that Poets are envious, I have known the best of them, and can speak to it, that they give each other their merits, and are the kindest critics as well as best authors. I am scribbling a muddy epistle with an aking head, for we did not quaff Hippocrene last night. Many, it was Hippocras rather. Pray accept this as a letter in the mean time, and do me the favor to mention my respects to Mr. Mitford, who is so good as to entertain good thoughts of Elia, but don't show this almost impertinent scrawl. I will write more respectfully next time, for believe me, if not in words, in feelings, yours most so.

  ["Your poem." Barton's poem was entitled "A Poet's Thanks," and was printed in the London Magazine for April, 1823, the same number that contained Lamb's article on Ritson and Scott. It is one of his best poems, an expression of contentment in simplicity. The "Letter to an Old Gentleman," a parody of De Quincey's series of "Letters to a Young Gentleman" in the London Magazine, was not published until January, 1825. Scott was John Scott of Amwell (Barton's predecessor as the Quaker poet), who had written a rather foolish book of prose, Critical Essays on the English Poets. Ritson was Joseph Ritson, the critic and antiquarian. See Vol. I. of the present edition for the essay. Barton seems to have suggested to Lamb that he should write an essay around the poem "A Poet's Thanks." Mitford's sonnet, which was printed in the London Magazine for June, 1823, was addressed commiseratingly to Bernard Barton. It began:—

  What to thy broken Spirit can atone,

  Unhappy victim of the Tyrant's fears;

  and continued in the same strain, the point being that Barton was the victim of his Quaker employers, who made him "prisoner at once and slave." Lamb's previous letter shows us that Barton was being worked from nine till nine, and we must suppose also that an objection to his poetical exercises had been lodged or suggested. The matter righted itself in time.

  "I dined in Parnassus." This dinner, at Thomas Monkhouse's, No. 34 Gloucester Place, is described both by Moore and by Crabb Robinson, who was present. Moore wrote in his Journal:—

  "Dined at Mr. Monkhouse's (a gentleman I had never seen before) on Wordsworth's invitation, who lives there whenever he comes to town. A singular party. Coleridge, Rogers, Wordsworth and wife, Charles Lamb (the hero at present of the London Magazine), and his sister (the poor woman who went mad in a diligence on the way to Paris), and a Mr. Robinson, one of the minora sidera of this constellation of the Lakes; the host himself, a Maecenas of the school, contributing nothing but good dinners and silence. Charles Lamb, a clever fellow, certainly, but full of villainous and abortive puns, which he miscarries of every minute. Some excellent things, however, have come from him."

  Lamb told Moore that he had hitherto always felt an antipathy to him, but henceforward should like him.

  Crabb Robinson writes:—

  "April 4th.—Dined at Monkhouse's. Our party consisted of Wordsworth, Coleridge, Lamb, Moore, and Rogers. Five poets of very unequal worth and most disproportionate popularity, whom the public probably would arrange in the very inverse order, except that it would place Moore above Rogers. During this afternoon, Coleridge alone displayed any of his peculiar talent. He talked much and well. I have not for years seen him in such excellent health and spirits. His subjects metaphysical criticism—Wordsworth he chiefly talked to. Rogers occasionally let fall a remark. Moore seemed conscious of his inferiority. He was very attentive to Coleridge, but seemed to relish Lamb, whom he sat next. L. was in a good frame—kept himself within bounds and was only cheerful at last…. I was at the bottom of the table, where I very ill performed my part…. I walked home late with Lamb."

  Many years later Robinson sent to The Athenaeum (June 25, 1853) a further and fuller account of the evening.] The Works of Charles and Mary Lamb — Volume 6

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