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　　LETTER LIII

　　From Mrs. B. to Lady Davers.

　　MY GOOD LADY,

　　You command me to acquaint you with the proceedings between Mr. Murray and Miss Nanny Darnford: and Miss Polly makes it easy for me to obey you in this particular, and in very few words; for she says, every thing was adjusted before she came away, and the ceremony, she believes, may be performed by this time. She rejoices that she was out of the way of it: for, she says, love is so awkward a thing to Mr. Murray, and good-humour so uncommon an one to Miss Nancy, that she hopes she shall never see such another courtship.

　　We have been at the play-house several time; and, give me leave to say, Madam, (for I have now read as well as seen several), that I think the stage, by proper regulations, might be made a profitable amusement.—But nothing more convinces one of the truth of the common observation, that the best things, corrupted, prove the worst, than these representations. The terror and compunction for evil deeds, the compassion for a just distress, and the general beneficence which those lively exhibitions are so capable of raising in the human mind, might be of great service, when directed to right ends, and induced by proper motives: particularly where the actions which the catastrophe is designed to punish, are not set in such advantageous lights, as shall destroy the end of the moral, and make the vice that ought to be censured, imitable; where instruction is kept in view all the way, and where vice is punished, and virtue rewarded.

　　But give me leave to say, that I think there is hardly one play I have seen, or read hitherto, but has too much of love in it, as that passion is generally treated. How unnatural in some, how inflaming in others, are the descriptions of it!—In most, rather rant and fury, like the loves of the fiercer brute animals, as Virgil, translated by Dryden, describes them, than the soft, sighing, fearfully hopeful murmurs, that swell the bosoms of our gentler sex: and the respectful, timorous, submissive complainings of the other, when the truth of the passion humanizes, as one may say, their more rugged hearts.

　　In particular, what strange indelicates do these writers of tragedy often make of our sex! They don't enter into the passion at all, if I have any notion of it; but when the authors want to paint it strongly (at least in those plays I have seen and read) their aim seems to raise a whirlwind, as I may say, which sweeps down reason, religion, and decency; and carries every laudable duty away before it; so that all the examples can serve to shew is, how a disappointed lover may rage and storm, resent and revenge.

　　The play I first saw was the tragedy of The Distressed Mother; and a great many beautiful things I think there are in it: but half of it is a tempestuous, cruel, ungoverned rant of passion, and ends in cruelty, bloodshed, and desolation, which the truth of the story not warranting, as Mr. B. tells me, makes it the more pity, that the original author (for it is a French play, translated, you know, Madam), had not conducted it, since it was his choice, with less terror, and with greater propriety, to the passions intended to be raised, and actually raised in many places.

　　But the epilogue spoken after the play, by Mrs. Oldfield, in the character of Andromache, was more shocking to me, than the most terrible parts of the play; as by lewd and even senseless double entendre, it could be calculated only to efface all the tender, all the virtuous sentiments, which the tragedy was designed to raise.

　　The pleasure this gave the men was equally barbarous and insulting; all turning to the boxes, pit, and galleries, where ladies were, to see how they looked, and stood an emphatical and too-well pronounced ridicule, not only upon the play in general, but upon the part of Andromache in particular, which had been so well sustained by an excellent actress; and I was extremely mortified to see my favourite (and the only perfect) character debased and despoiled, and the widow of Hector, prince of Troy, talking nastiness to an audience, and setting it out with all the wicked graces of action, and affected archness of look, attitude, and emphasis.

　　I stood up—"Dear Sir!—Dear Miss!" said I.

　　"What's the matter, my love?" said Mr. B. smiling.

　　"Why have I wept the distresses of the injured Hermione?" whispered I: "why have I been moved by the murder of the brave Pyrrhus, and shocked by the madness of Orestes! Is it for this? See you not Hector's widow, the noble Andromache, inverting the design of the whole play, satirizing her own sex, but indeed most of all ridiculing and shaming, in my mind, that part of the audience, who can be delighted with this vile epilogue, after such scenes of horror and distress?"

　　He was pleased to say, smiling, "I expected, my dear, that your delicacy, and Miss Darnford's too, would be shocked on this preposterous occasion. I never saw this play, rake as I was, but the impropriety of the epilogue sent me away dissatisfied with it, and with human nature too: and you only see, by this one instance, what a character that of an actor or actress is, and how capable they are to personate any thing for a sorry subsistence."

　　"Well, but, Sir," said I, "are there not, think you, extravagant scenes and characters enough in most plays to justify the censures of the virtuous upon them, that the wicked friend of the author must crown the work in an epilogue, for fear the audience should go away improved by the representation? It is not, I see, always narrowness of spirit, as I have heard some say, that opens the mouths of good people against these diversions."

　　In this wild way talked I; for I was quite out of patience at this unnatural and unexpected piece of ridicule, tacked to so serious a play, and coming after such a moral.

　　Here is a specimen, my dear lady, of my observations on the first play I saw. How just or how impertinent, I must leave to your better judgment. I very probably expose my ignorance and folly in them, but I will not say presumption, because you have put me upon the task, which otherwise I should hardly have attempted. I have very little reason therefore to blame myself on this score; but, on the contrary, if I can escape your ladyship's censure, have cause to pride myself in the opportunity you have thereby given me to shew my readiness to obey you; and the rather, since I am sure of your kindest indulgence, now you have given me leave to style myself your ladyship's obliged sister, and humble servant, P.B. Pamela — Volume 2